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Next Sunday, April 28th at 19.30 at the Auditorio Nacional de M\u00fasica<\/b> de Madrid, Filarmon\u00eda de Madrid<\/b> offers one of the most acclaimed concerts of its season: Carl Orff<\/b>‘s Carmina Burana<\/i><\/b>.<\/p>\n
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For this occasion, the artistic director of Filarmon\u00eda de Madrid, Pascual Osa,<\/b> has designed a programme in two parts. In the first part, the Concerto for horn and orchestra in B flat major, op. 91<\/i> composed by Reinhold Gli\u00e8re<\/b> and performed on this occasion by the soloist of the Munich Philharmonic, Mat\u00edas Pi\u00f1eira<\/b>.<\/p>\n
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In the second part of the concert, the Orquesta Filarmon\u00eda<\/b> will be joined by the more than 400 choristers who make up the Coro Filarmon\u00eda, <\/b>the Coro Participativo <\/b>and the Coro del Colegio S\u00e1mer Calasanz<\/b>. The first two will be conducted by the conductor of the Coro Filarmon\u00eda, Rafael Albi\u00f1ana,<\/b> and the latter by conductor Antonio Ram\u00edrez<\/b>. Together with the soloists Bianca Tognocchi<\/b> (soprano), Christian Gil-Borrelli<\/b> (countertenor) and Antonio Torres<\/b> (baritone), they will perform the scenic cantata which brings together a collection of medieval poems from the 12th and 13th centuries, whose authors were students and clerics.<\/p>\n
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The Carmina Burana<\/i> is made up of this collection of medieval poems, gathered in a manuscript found in Germany. In it, earthly pleasures and carnal love are extolled, thus criticising the social and ecclesiastical elements of the time.<\/p>\n
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