<\/p>\n
The Teatro Espa\u00f1ol<\/strong> (Plaza de Santa Ana. Calle del Pr\u00edncipe, 25) premieres on 10 February and until 22 March in the Sala Peque\u00f1a – Margarita Xirgu the play El nudo gordiano, <\/em><\/strong>by the American playwright Johnna Adams,<\/strong> directed by Israel Elejalde <\/strong>and adapted by Paula Paz.<\/strong><\/p>\n <\/p>\n The play, which delves into the more complex territories of motherhood, responsibility and pain, features the performance of two great actresses, Eva Rufo<\/strong> and Mar\u00eda Morales,<\/strong> who give life to the two central characters of the play.<\/p>\n <\/p>\n Set in a small community shaken by a school tragedy, El nudo gordiano<\/em> confronts a mother with her son\u2019s teacher in an encounter which, far from offering comfort, gradually turns into a verbal battle marked by tension, reproaches and uncomfortable truths. What begins as a conciliatory conversation leads to a moral duel where every word opens new cracks.<\/p>\n <\/p>\n With precise structure and sharp dialogues, Adams poses questions of great ethical depth: who is responsible when a child does not fit on the margins of the normative? , where does the responsibility of the family end and that of the education system begin? what does it mean to protect? El nudo gordiano<\/em> does not offer easy answers, but it invites us to look at the most ambiguous areas of the human condition.<\/p>\n <\/p>\n The director, Israel Elejalde, brings to the stage this classic metaphor, the knot impossible to untie, as central image of a contemporary conflict. As the director himself points out, “the piece raises a dichotomy before the abyss: cutting the knot or trying to undo it. Who is responsible for this decision and who bears the consequences?”. The work thus places the viewer before a moral dilemma without clear solutions, where good and evil are rarely delimited.<\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" The Teatro Espa\u00f1ol will premiere on February 10 the play El nudo gordiano, by the American playwright Johnna Adams.<\/p>\n","protected":false},"author":204,"featured_media":136356,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"0","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[179,176,226],"tags":[],"class_list":["post-136358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-leisure","category-teatro-en"],"yoast_head":"\n